Chains of meaning

We rebuilt our site. Not just the look—the whole logic.

Right Click Save now has three distinct spaces: the Magazine, the Index, and the Forum, which is your space for critical conversations in the expanding art world. The Forum’s native community of artists, curators, and collectors is growing rapidly so join the waitlist and get ready to shape the conversation.

The Index is something we’ve been building toward since day one: an evolving map of digital culture. And it keeps surprising us with what it reveals. Take this week’s piece on Steven Sacks and the history of bitforms. Search it in the Index and you’re suddenly moving through two decades of digital art: artists the gallery has championed, genres it has helped to define, and genealogies connecting contemporary art to early net and generative art.

That’s what the Index does. Each article starts a different journey and prompts new chains of meaning. If it sparks a new thought for you, why not share it in the forum, where many leading artists, curators, and collectors are now congregating ...

Danielle King, Head of Community at Right Click Save

Features

Steven Sacks at home in New York with P-511/M (1996) by Manfred Mohr. Courtesy of Steven Sacks and bitforms gallery. Photography by Max C Lee

In the Forum

Like all of our new website, the Forum can be viewed in both dark and light modes

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You can acknowledge a Forum post by presenting a trademark RCS rose

The Index

A map of Right Click Save’s editorial coverage

Our new Index is a knowledge bank drawn from across the magazine’s editorial coverage. It shows how people, artworks, events, organizations, and ideas connect in our archive of more than 420 articles. Rather than a comprehensive biography or dictionary definition, each page surfaces the salient elements from throughout our ecosystem. However, if you spot an error, feel free to suggest a correction.

Happening

Sophie Rogers. Courtesy of the artist and Palmer Gallery

Forthcoming

Grassroots art and tech projects in London ahead of the Creative Intelligence festival

The grassroots platform Peckham Digital is playing a leading role in the Creative Intelligence festival at the Southbank Centre, London, September 11-13, 2026. Creative Intelligence marks the 75th anniversary of the 1951 Festival of Britain, which served as a joyful antidote to the years of post-WW2 austerity in the UK, will explore the intersection of technology, creativity, and art through a series of music-infused performances, shows, and pop-up discussions.

The festival will bring together London’s leading universities and galleries devoted to creative computing and art of the digital era. Peckham Digital will be based in the foyer of Queen Elizabeth Hall for the duration of the festival. The UK capital is home, in the lead-up to Creative Intelligence, to a series of grassroots shows, schools, and collaborative projects.

Liam Young, (Still from) World Machine, 2026. Young, whose exhibition “In Other Worlds” is at Barbican Centre, London, until September 6, 2026, is bringing World Machine to the Creative Intelligence festival at Southbank Centre, London, September 11-13, 2026. Courtesy of the artist and Creative Intelligence

RETRO | Artists at bitforms

Manfred Mohr, P3010_5, 2020-21. Courtesy of bitforms gallery

Maya Man, “StarQuest (Performance-Lecture)” (2026) co-presented by bitforms gallery, SOOT gallery, and the Future Humans program at the Berggruen Institute at L.A. Dance Project. Photography by Yuchi Ma

Reading

The catalogue covers an exhibition that was the fourth and final collaboration between Los Angeles ACM SIGGRAPH and EZTV museum. It was the inaugural event of a year-long Digital New Arts (DNA) Festival held in Santa Monica in 2024 to mark decades of artistic and technical innovation in digital art in Southern California

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